Saturday, August 27, 2005

Four Brothers

FOUR BROTHERS (2005) - Aug. 27, 2005
Essentially Deathwish but with four people instead of one, this was about four brothers whose mother is killed, and who decide to get revenge on those responsible. The performances were all quite good, particularly Terrence Howard as a cop who helps the brothers out, and Chiwetel Ejiofor as a sinister mobster. The film was entertaining all the way through, and was definitely John Singleton's best film in a while (which isn't hard considering his last few movies were 2 Fast 2 Furious, Baby Boy and Shaft). ***

Friday, August 26, 2005

Sahara

SAHARA (2005) - Aug. 26, 2005
It's never a good sign when a film's opening credits list four different writers. It actually started out decently enough, sort of a third-rate Indiana Jones. But after a while, and especially in the last 45 minutes or so, it started to become a little monotonous with one bland action sequence after another, with almost no downtime between them towards the end. The performances were all fine (with the exception of Penelope Cruz, who is terrible in better movies and who was certainly terrible here), I liked the chemistry between Steve Zahn and Matthew McConaughey, and I was able to go with the film's sort of silly vibe for a while, but all the action just killed it for me. **

Wednesday, August 24, 2005

Appleseed

APPLESEED (2004) - Aug. 24, 2005
Though the animation style takes a while to get used to, I did get used to it, and this was a good film. The movie was computer animated, but the characters all had a cel-shaded, traditionally animated type of look to them. This worked for the most part, though the performances tended to be a bit stiff at times. This style of animation seemed to work best for action, as the action sequences were really well done and very impressive, visually. The film was entertaining throughout, and not nearly as convoluted as anime based on manga tends to be. ***

Tuesday, August 23, 2005

Red Eye

RED EYE (2005) - Aug. 23, 2005
About a woman who is forced to indirectly kill a high ranking politician, this was a pretty good thriller which was elevated by a scenery chewing and immensely entertaining performance by Cillian Murphy, who is quickly proving to be one of the best young actors out there. The film is at its most effective for the first hour or so; the last twenty minutes are a little silly, as Murphy's character essentially turns into Daniel Stern from Home Alone (for someone who seemed so cool and collected on the plane, it suddenly becomes apparent that he isn't all that good at his job). ***

The 40 Year Old Virgin

THE 40 YEAR OLD VIRGIN (2005) - Aug. 23, 2005
Steve Carell is really good in this film which, as the title implies, is about a 40 year old who's still a virgin. Carell is really funny, but at the same time manages to create a character we really come to like and care about. Equally good are Carell's three buddies, including the always excellent Paul Rudd, and Carell's love interest, played by Catherine Keener. The film was almost two hours long, but unlike Wedding Crashers it didn't feel long at all. Even the obligatory fake breakup wasn't too bad here, and didn't feel nearly as forced and pointless as it almost always does. ***1/2

Sunday, August 21, 2005

Spellbound

SPELLBOUND (2002) - Aug. 21, 2005
A well made documentary about eight kids who compete in the 1999 spelling bee. Around half of the film is spent letting us get to know the children and their families, so by the time the competition starts it is pretty tense, as we know all the kids so well. ***

Friday, August 19, 2005

Broken Flowers

BROKEN FLOWERS (2005) - Aug. 19, 2005
Bill Murray is excellent (though he is essentially playing a variation on his last few performances) in this film about a man who discovers that he may have a son, and sets out to find the identity of the mother. Aside from Murray, all of the performances were really good, and the film was really well written and directed. ***1/2

Sunday, August 14, 2005

Dial M for Murder

DIAL M FOR MURDER (1954) - Aug. 14, 2005
Though not quite up there with Hitchcock's finest films, this is still a really good movie. About a husband who plots to kill his wife, the film remains extremely entertaining and quite riveting at times, even though it takes place almost entirely in one apartment. The film never felt stagey despite essentially being a play, probably because of the quality of the performances, the writing and the direction (in fact I didn't even notice how play-like it was until it was almost over). ***1/2

Wedding Crashers

WEDDING CRASHERS (2005) - Aug. 14, 2005
A criminally overlong romantic comedy about a couple of guys who crash weddings to meet girls. The problem with this film was that it almost felt like two different movies at times; there was the wacky stuff (the whole beginning sequence, and pretty much everything with Vince Vaughn) and then there was the played out, and really tired romantic comedy stuff with Owen Wilson and Rachel McAdams (Wilson and McAdams were both good, particularly McAdams, but all their stuff was just so routine). But it was still pretty much entertaining for a while, but then there was the requisite fake breakup, and sweet Jesus! It went on for what felt like an hour. The fake breakup should last no longer than five minutes, max, and this one had to have been at least half an hour. They even threw in a second fake breakup with Vince Vaughn and Owen Wilson, where it looks like they won't be friends anymore. This section of the film was boring and pointless. But then there was Vince Vaughn, who gave one of his best and funniest performances in years, and was easily the highlight of the film. There should have been more Vince Vaughn and less of the tired romantic comedy stuff. **

Saturday, August 13, 2005

The Skeleton Key

THE SKELETON KEY (2005) - Aug. 13, 2005 (S)
A decent thriller about a woman who gets a job caring for a stroke victim and his wife, and who finds herself increasingly embroiled in the world of voodoo (or hoodoo). Peter Sarsgaard (with a southern accent!) was good in a small part. The film was basically entertaining all the way through, though it did get a bit ridiculous with all the voodoo stuff towards the end. But then there was the ending, which featured one of the best twists since the Sixth Sense, which I didn't see coming at all. **1/2

Friday, August 12, 2005

Bringing up Baby

BRINGING UP BABY (1938) - Aug. 12, 2005
A really entertaining and surprisingly funny film that essentially falls into the "lots of stuff happening in a short amount of time" genre (so it's no surprise that it's good). Cary Grant and Katharine Hepburn were both excellent, the dialogue was really good, and the film was really fast-paced and wacky. ***1/2

Saturday, August 06, 2005

The Thin Man

THE THIN MAN (1934) - Aug. 6, 2005
William Powell and Myrna Loy are both really good as Nick and Nora Charles in this, the first of the Thin Man movies. In it, they attempt to solve a crime while exchanging banter and drinking a lot. The mystery itself tended to be a bit confusing, as there were so many characters I was having a hard time keeping track of them all. But the real highlights were the performances, as Powell and Loy had really good chemistry together, and the dialogue, which was really good. ***

Monday, August 01, 2005

Stewie Griffin: The Untold Story

STEWIE GRIFFIN: THE UNTOLD STORY (2005) - Aug. 1, 2005
Since it wasn't even 16:9, this basically felt like three episodes of the show stuck together (probably because it was) but it was still really entertaining and quite funny. It was just basically like a long, good episode of Family Guy. There were a lot of really funny parts, with the highlights probably being the Thundercats part, and the extended Ferris Bueller parody (I'm still chuckling about that one now). They should make more of these. ***